Andrew M. Turley

From College of Fine Arts and Communications

Overview

Andrew Turley graduated in 2008 with a degree in art.

During December 2007 and January 2008, his exhibit Convergence was displayed in the Harold B. Lee Library. The display used different artistic mediums to express Turley's family history.

[edit]

Artist's Statement on Convergence

My work explores questions of identity as informed by genealogy.

The works fall into two categories. One group applies the genealogical form to various processes and images in order to build up metaphors through which family history can be viewed. The second represents a more personal search for my own identity through members of my family and those who have come before me.

In the first set of work I frame examples of branching forms such as the human circulatory and respiratory systems within a genealogical context through the application of the ancestral tree. Genealogical diagrams expand exponentially as each successive generation of parents is the exact double of the previous generation. Compiling materials such as twine and forked branches within this pattern allows viewers to reconsider their connection to a genealogical tree. Combining distinct parts does not serve to divide or isolate any single element; rather each remains integral to the whole. The importance of the individual broadens as the process of expansion continues.

My second group of work represents a personal exploration of identity through genealogy. Some of this work involves mapping out the global path of a set of ancestors unique to me and my siblings. I also use gravestone rubbings, handprints and human hair, all expressive of my own history or that of my family members. Though particular to myself, these works serve as a catalyst for viewers to consider their own identity through family history.

Methods in which I work may also be divided into two categories. These are most clearly seen by location of execution: either in the formal studio setting or in my own home.

Studio based work involves engagement with colleagues and access to resources such as traditional sculpture materials and equipment. Bronze cast and steel fabricated elements of my work are created in the studio. One of the advantages of this location is that it offers space to create large scale works of a permanent nature. Camaraderie with fellow artists allows for constructive interaction that can positively influence the outcome of the work.

Home based work differs in its limitations on material and equipment but it provides an opportunity for exploration. Free of a critical space, I find it easier to attempt expressing new ideas through alternative materials. Also, the private nature of the space and the seriality of processes such as sewing or binding twine become meditative. Another advantage of work created in the home is that viewers can relate to the materials and the process. This allows viewers to visualize creating such a work for themselves and thus further involving them in the dialogue on viewing genealogy through visual means.

[edit]